Kelsey successfully helped launch the Macy’s Live Shopping platform. Shooting live from the Mezaneene of Macy’s Herald Square, she supported the creative director in research, art direction, and organization of tasks both on set and online. She created on-screen graphics, photo composites, storyboards, drafted a store display, and developed decks, layouts, and guidelines.
Under the direction of Danny Akalepse at Big Crown Records, Kelsey designed the Return to the 37th Chamber - the follow-up to El Michale’s 2009 underground cult classic Enter the 37th Chamber.
The designs feel like bootleg albums you see being sold on the street. The cover art is by Ghanaian painters, Stoger and Heavy J from Deadly Prey Gallery and each of the four designs features a unique Big Crown logo stamp. The albums used hand-painted Chinese characters and a font designed from hand-transferred vintage Letraset rub-offs for the title translations and body text.
Vios is an innovative fertility center dedicated to providing advanced, personalized solutions to individuals pursuing fertility treatments such as IVF and third-party reproduction. Kelsey supported the Vios brochure design including a bi-fold brochure, brochure card, and folder.
A jacket and cover reimagining of William Golding’s Lord of the Flies. Kelsey’s concept was to depict the overwhelming fear and mystery we feel during the meeting of The Beast.
Typographic band poster designs
A reimagining of the artwork for Small Black’s album, Limits of Desire. Includes Album art, 2 t-shirt designs, and 3 sticker variations
INVNT marketing agency employs the art of live brand storytelling to craft and deliver captivating experiences that engage and connect audiences, both in physical and digital realms, on a global scale. Kelsey collaborated with project managers in designing merchandise and social media posts for clients and in-house projects.
"Shine On Nineteen!" is a hilarious jab at TV shows and American commercial culture. Each episode throws you into a different program on WNNN, channel 19, mixed up with a bunch of bizarre ads. Kelsey designed logos for many of the ads and products featured.
Title sequence made for Panos Cosmatos’ 2010 sci-fi horror, Beyond the Black Rainbow, using Adobe After Effects.
